EDUCATION / TRAINING

2015 M.F.A Acting, American Repertory Theater/MXAT Institute at Harvard University

2014 Semester abroad Moscow Art Theatre School, Russia

2013 B.A Drama (First Class Honours), University of Bristol, UK

2019 Full-time Chinese Language program, Shanghai Theatre Academy, China

SELECT ACTING WORK

2023 Megan, Deadloch, Amazon Prime, dir. by Gracie Otto, Ben Chessell, and Bec Cole (Upcoming)

2022 Al, Ghost Gear, dir. Danielle Baynes (Upcoming)

2021 Madame, The Maids, Archipelago Productions, dir. by Ben Winspear, Hobart

2021 Tian, Rosehaven, ABC, dir. By Jonathan Brough

2018 Melissa, In Transit, Vidsee x Singapore Tourism Board, dir. by Jacky Lee, Singapore

2015 Queen, The Light Princess, New Victory on 42nd St, dir. by Allegra Libonati, NYC

2015 Margaret, Much Ado About Nothing, American Repertory Theater, dir. by Anya Saffir

2014 Varya/Aglaya, The Idiot, Moscow Art Theatre Studio, dir. by Maria Brusnikina, Russia

2012 Diana, The Wolves Descend, Edinburgh Festival Fringe, dir. Elf Lyons

2012 Ensemble/Lady Ashbrook cover, Coram Boy, Bristol Old Vic, dir. Melly Still and Miranda Cromwell

MUSIC

2023 Workplace Romance debut EP, vocalist/lyricist, supported by Arts Tasmania (Upcoming)

2022 'a bowl of primal chaos', spoken word and music with Blaise Garza, Plimsoll Gallery

2021 Faro Experience, vocalist and performance artist, MONA (Museum of Old and New Art)

VIDEO / MULTIMEDIA

2022 '混 hùn' video installation, Motion Sensor at Plimsoll Gallery, Hobart

2019 'Mixed Up: 混血女孩在中国', vlog series, published on YouTube, 128k+ collective views to date

2017 'She’ll Be Right', short film, Best First Short at Los Angeles Underground Film Forum

2013 'What are you to me?', multimedia installation, University of Bristol, UK

PLAYWRITING

TBD 'Mixed Feelings', development supported by Asialink, Arts Tasmania and Regional Arts Fund (Upcoming)

2023 'mouthful of C words', co-writer, commissioned by Salamanca Arts Centre (Upcoming)

WRITING

2021 'Under a High Sky', Forty South magazine, Hobart

2021 'The Freedom to be fully strange', Forty South magazine

2020 'Art in an Apocalyptic World', Peril magazine

2020 'Clipped Wings', Forty South magazine, Hobart

2020 'Interview: Blake Abbie', Mixed Asian Media

2020 'Back to the Motherland', Mixed Asian Media

2017 'Film with Nicole Midori Woodford', Doyenne, Singapore

2017 'Yayoi Kusama Exhibition: Fight Against Males', Doyenne, Singapore

POSITIONS

2015 - present Actor, represented by Aran Michael Management.

2021 Associate Artist, Tasmanian Theatre Company.

2018 Executive Assistant to Vice President EMEA Distribution, Legendary, London.

2016 Executive Assistant to President and Head of Production, Citizen Skull Productions, Los Angeles.

AWARDS / RESIDENCIES / GRANTS

2022 40 Under 40 Most Influential Asian Australians, one of five Arts & Culture awardees

2022 Asialink x Arts Tasmania 'Singapore Arts Now for Tasmanian Creative Industries' grant

2022 Arts Tasmania 'New Works for New Markets' grant to record Workplace Romance debut EP

2021 Regional Arts Fund Fellowship

2021 Performing Lines Tas’ Moonah Arts Centre Residency

2021 Arts Tasmania 'New Works for New Markets' grant to develop 'Mixed Feelings'

2020 Performing Lines Tas’ Tarraleah Artist Residency.

2013 Rapier Players Prize and BA Drama Final Year Prize, University of Bristol, UK.

2009 First in State in HSC Drama, NSW.

MEDIA

2022 'Breaking through the bamboo and glass ceiling', ABC Radio Hobart

2022 ‘Stephanie Jack, Assembly 197 take their talents to Singapore’, Hobart Mercury

2021 ‘Stephanie Jack: Actress, Writer, Musician’, Hobart Magazine June cover story

2021 'One woman theatre mixes it up', Hobart Mercury

2021 ‘Love, hate and stench’: Marta Dusseldorp and Essie Davis unite for Genet’s The Maids’, The Guardian.

2020 ‘Exploring Confusion: An Interview with Filmmaker and Actress Stephanie Jack’, Mixed Life

2020 ‘You don’t know Jack’, Joel Rheinberger, ABC Radio Hobart.

2020 ‘5 International Creators on Chinese Social Media You Should Follow Right Now’,That’s Mag, China.

ACTING REEL via Casting Networks